Linda Post / CV

Linda Post lives in Houston, Texas.
EDUCATION
1998
Bard College, MFA, Annandale-on-Hudson, NY (Film/Video Dept. within cross-disciplinary program)
1991
Massachusetts College of Art, BFA, Boston, MA [Sculpture (concentration in Glass) and Experimental Filmmaking]
Chelsea College of Art, London, UK (Sculpture and Critical Studies)
1987
School of the Museum of Fine Arts, Boston, MA (Film Criticism and a range of 2D and 3D work)

Solo Exhibitions
2013
ECHO, Cole Art Center, Nacogdoches, TX
2012
“IGVONNE, collaboration with Robert Appleton,
Blaffer Museum’s Window Into Houston, Houston, TX.”
LOW IMPACT (RESISTANCE TO FLOW / THIS IS BOB DYLAN TO ME) SUBJECT TO CHANGE, collaboration with Jim Nolan, Lawndale Art Center, Houston, TX.
2011
WHEREVER, Art Palace, Houston, TX.
2010
APPROACH, AC Institute [Direct Chapel], NY
2007
LEVEL, Chocolate Factory, LIC, NY
AFIELD, artMoving Projects, Brooklyn, NY
2004
“Cozy Room: four arguments for the elimination of television six walks in the
fictional woods numbers in the dark, artMoving Projects, Brooklyn, NY”
1997
Linda Post, Velan, Turin, Italy
1996
Linda Post, Lotta Hammer, London, UK
Linda Post, CRG Gallery, New York, NY
1995
#314, Nicole Klagsbrun Gallery, Gramercy International Art Fair, NY (site specific installation)
1992
SUBJECT3: Tracking Swells, MnM Gallery, Boston, MA (invited by Mari Spirito)

LIVE PERFORMANCES
2013
As part of ECHO, Cole Art Center, Nacogdoches, TX
2012
“As part of IGVONNE, collaboration with Robert Appleton,
Blaffer Museum’s Window Into Houston, Houston, TX.”
As part of LOW IMPACT (RESISTANCE TO FLOW / THIS IS BOB DYLAN TO ME) SUBJECT TO CHANGE, collaboration with Jim Nolan, Lawndale Art Center, Houston, TX.

SELECT GROUP PERFORMANCES
2013
ReView, Art Palace Gallery, Houston, TX
2012
Friends With Benefits, Lehmann Maupin Gallery, NY, NY
Standard Deviation, Art Palace Gallery, Houston, TX
Prologue 2012, Skydive Artspace, Houston, TX
2011
It’s Better To Regret Something You Have Done, Art Palace, Houston, TX.
Faculty Exhibition, Cole Art Center, SFASU, Nacogdoches, TX.
2010
CPW: PQ 100, Center for Photography at Woodstock, Woodstock, NY
2008
Psychology of a Pawn, curated by Mari Spirito, Participant Inc., NY
Flat City, AC Institute, The Armory, NY (curated by Holly Crawford)
2007
Sound Art Limo, AC Institute in cooperation with Melbourne International Arts Festival (curated by Holly Crawford)
MashUps, Tastes Like Chicken Art Space, Brooklyn, NY (curated by Mike Rader, Jim Nolan)
2006
DIVA and POOL art fairs, Miami, FL
When Artists Say We, Artists Space, New York, NY (organized by Andrea Geyer)
“Art in the Neighborhood 2, Tastes Like Chicken Art Space, Brooklyn, NY
(curated by Sherry Bittle and Michael Rader)”
2005
Perry Hoberman: Drawings 1975-2005, Linda Post: Window Project, artMoving, Brooklyn, NY
Studio: Seven Months of My Aesthetic Education (Plus Some), a project curated by Tony Oursler, Metropolitan Museum of Art, New York, NY
Yo Graph Net Interporn, artMoving, Brooklyn, NY
In Practice, Sculpture Center, LIC, Queens, NY (curated by Anthony Huberman)
2004
e-flux video rental, e-flux, New York, NY (curated by Anton Vidokle and Julieta Aranda) touring: KW Institute for Contemporary Art, Berlin, Germany; Manifesta Foundation, Amsterdam, Netherlands; The Moore Space, Miami, FL; Extra City, Antwerp
2001
B-Hotel, PS1 Contemporary Art Center, LIC, Queens, NY (curated by Klaus Biesenbach, Larissa Harris, Daniel Marzona, Joshua Siegel, Jonathan Horowitz)
In Transit: Rory Donaldson, Jim Nolan, and Linda Post, Tyler Art Gallery, SUNY Oswego
The Cat’s Away!, Sara Meltzer Gallery, New York, NY (curated by Nurit Newman)
Of Relationship, The 16 Beaver Group, New York, NY (curated by Roger Fife)
2000
Mental Wilderness, GAle GAtes et al., Brooklyn, NY
Beauty Now, Haus Der Kunst, Munich, Germany
“Commotion in the Ocean, Boat of Rosa and Carlos De La Cruz, Miami, FL.
(curated by Amada Cruz, Dara Friedman, and Dominic Molon)”
1999
Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum, Washington, D.C. (curated by Olga Viso)

SCREENINGS, INTERNET, BROADCAST
2007
Abstract Horror, Galapagos Art Space, Brooklyn, NY
1999
Park 4DTV, Berlin, Germany, (broadcast)
Parking, A Mayday Production, Highbridge Park, NY, NY (curated by Barbara Clausen)
1998
Park 4DTV, Amsterdamn, The Netherlands, (broadcast)
New Television, Connecticut Public Television, (national broadcast)
1994
SeoulNYmax Festival, Internet and Anthology Film Archive, NY (online project curated by Nam Jun Paik)

PERMANENT COLLECTIONS
Kunstverlag Ingvild Goetz G.M.B.H. collection, Munich, Germany.
FRAC (regional art collections), France.

SELECTED BIBLIOGRAPHY
2008
Anna Gritz. Review – Psychology of A Pawn, Freize (online), http://www.frieze.com/shows/review/psychology_of_a_pawn
2006-2007
Aron Namewirth. Democrazy (curatorial project). zingmagazine #21.
2001
Linda Post. Untitled (artist’s project). SHARK. ed. Lytle Shaw and Emilie Clark.
1999
Pip Day. Horizons of Language, Photography Quarterly, #74, 1999
1997
Kristin M. Jones. Review – Young and Restless, MOMA, NY, Artforum, Summer, 1997.
Roberta Smith, Review – Young and Restless, MOMA, NY, New York Times, 3/21/1997.
Sara Kent. Review – Lotta Hammer Gallery, Time Out London, December 11, 1997.
1996
Stephanie Cash, Review – CRG Gallery, Art in America, November 1996.
Richard Vine, Report from Denmark, Part 1: Louisiana Techno-Rave, Art in America, October 1996.
Review – Video Sans Titre, Galerie Froment & Putman, Le Voyeur Paris, November, 1996.
Thurston Moore, Real Life, Index Magazine, June 1996.